In the latest EMC livestream, we sat down with Reid from Paragraph to explore one of the most urgent questions facing onchain creators today:
Can writers actually make a living using coins, NFTs, or any of this new onchain stuff—or is it all just vibes and speculation?
We broke it down across three core ideas.
There’s no shortage of new tools for monetizing content onchain. But one debate continues to spark fire: should creators lean into coins or NFTs?
Platforms like Zora are betting big on coins—launching a new model where every post can have its own token. That experiment turns content into a liquid asset, with buyers speculating on what might gain cultural (or financial) traction.
But that approach isn’t resonating with everyone. As Diana (Treegirl) put it:
“It makes the content feel more financialized. That’s always felt a little icky to me.”
She’s not alone. The conversation compared this “coin-per-post” approach with older models like open edition NFTs, gated content, and crowdfunds. Tools like Mirror allowed creators to rally funding around a project or season (Rehash raised 30 ETH using a Mirror crowdfund). The format felt collaborative—not extractive.
NFTs feel like a thank-you note. Coins can feel like a stock ticker attached to your creative output (waiting to inevitably hit zero).
Reid offered a clear breakdown of the five core motivations he sees for why someone would support a writer through onchain tools:
Patronage – I believe in this person’s work.
Shared Identity – I align with their values or voice.
Community – I want to be part of the conversation.
Speculation – I think this content or creator will increase in value.
Utility – I want gated access to features, posts, or discussions.
It sounds good in theory. But in practice, once speculation enters the picture, the other motivations tend to get crowded out. As Humpty noted:
“As soon as there’s any assumption the token will go up, it’s no longer about you. It’s about the market.”
That’s what happened on platforms like FriendTech, where support quickly morphed into short-term profit plays. Even loyal collectors start watching floor prices instead of reading new posts.
The more ephemeral the incentive, the harder it is to build long-term value. Coins might onboard speculators—but they often chase away community.
Gramajo suggested new models that are emerging—Revnets, which offer built-in exit liquidity, and Sanctum creator coins, which let supporters passively earn yield. But one question remains:
Will any of these actually help writers earn a living?
Reid didn’t hold back when talking about the current state of creator income:
“We’ve failed to help great writers like YB make reliable income. That sucks.”
He admitted that tools like token gating and open editions haven’t been enough to support full-time writers. In fact, most creators on Paragraph who tried token gating made less than $100/year.
That’s why Paragraph is rethinking its approach. While they're exploring coin-based tools, Reid emphasized that speculation can’t be the core of any sustainable model. Instead, he’s interested in mechanics that reward long-term support:
Crowdfunds for season-based funding (like Mirror pioneered)
Tipping based on engagement (like Farcaster’s weekly tips)
Staking-based rewards (inspired by Solana projects like Sanctum)
Ownership without friction, through subscription-aligned models (like HyperSub and Pods, which give creators control over their smart contracts and interoperable rewards)
“Our North Star is creating a bigger economy around creative work—especially for writers who don’t want to post weekly, but still have valuable things to say.”
We’re still early in figuring out what a thriving onchain writing economy looks like. But one thing is clear: platforms need to move beyond speculation and design tools that respect creators’ time, output, and communities.
Reid left us with one more reminder:
“The early supporters matter more than the dollars they give. But right now, there’s no good way to make that support feel durable.”
Maybe the next big breakthrough won’t be in launching more tokens—but in better reflecting the intent behind them.
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Are coins the future of writing—or just another trap for creators? In this week’s Early Morning Crew, @treegirl @gramajo.eth and I sat down with @reidtandy from /paragraph to talk Coins vs NFTs, collector motivations, and why making money as a writer onchain is still broken. We covered: – Why speculation kills real support – The problem with turning every post into a coin – What actually worked on Mirror, HyperSub, and Zora – Can tipping and staking fix creator income? Do you think patronage and speculation can ever coexist? Make your prediction on /ponder. Link in comments. https://news.cryptosapiens.xyz/nfts-coins-and-the-death-of-real-patronage
Can speculation and patronage coexist? Make your voice heard! https://www.weponder.io/predictions/31068
what actually worked on hypersub? is it still working? if not, why?
Great points touched on the topic. I must admit, with all the talk about Zora coins, I still don't get them. I get NFTs and I get coins, I just don't understand coining posts yet. I bought a couple but lately I just ignore anything that says "Zora coin" in my feed 😅
i still don't fully understand the idea of coining, but i agree with Diana here. it feels...commercialised. as a writer, i want people to read my work and understand my perspectives. not follow me because there's some financial gain to be made. i dunno, man.
NFTs, Coins, and 💀 Great @paragraph published by @humpty.eth on the challenges of creator income in the current web3 economy! Writers are seeking long-term sustainability for their craft, and as an artist, I feel that too. Check out 💀 NFTs, Coins, and the Death of Real Patronage ⬇️
You caught that fresh off the press 🔥
you know it!! got those notis on
wowow, @humpty.eth this is amazing